BIWAKO BIENNALE 2022
起源〜ORIGIN
in Omihachiman & Hikone
2022年10月8日〜11月27日
(休館日未定)
次回は会場も増え、さらに充実した内容になるかと。お楽しみに!
過去の作品につきましは、この画面を閉じて2020年サイトをご覧くださいませ。
Notre temps c’est le présent, futur et passé. Visualisant cette idée en forme des lignes dans l'espace apparaissent des différentes formes comme ” des structures vides et étincelantes “
/comme écrivait Jean Tardieu /. Tous les autres éléments de la réalité, perçus subjectivement sont en quelque sorte leur contenue qui les façonnent à leur guise.
Réalité et illusions, ce qui s'est déjà produit et ce qui apparait dans notre imagination - l’interaction de ces deux concepts est l'un des aspects qui m’intéresses dans le rapport entré la matière et l’ émotion qu’elle génère.
Des éléments de notre monde, le seul qui nous semble connue, des paysages, des lieux et des objets proches ou lointains constituent mon champs d'activités, dans lequel l'illusion se confronte avec le monde environnant. Certains objets, éléments de la nature même insignifiants ou oubliés, parlent soudainement et transmettent leur énergie cachée comme s'ils entrait en symbiose avec l'état actuel des choses. Le mouvement des éléments extérieurs vers l'intérieur et vice versa est une source des tensions, mais aussi une base pour l’ équilibre .
`D'où vient donc l’impression que tout ce qui nous est familier et proche semble s’éloigner ?
L’incertitude que nous ressentons lorsque nous nous demandons si ce que nous voyons vient du réel ou s'il s'agit simplement d'une illusion est une sensation permanente et significative dans nos vies. Nous avons peur, plus que jamais de perdre toutes nos certitudes basés sur une certaine harmonie entré l’homme et la nature mais nous oublions que nous somme la nature.
Traditionnellement, les cercles magiques ont été tracés sur Terre comme une barrière protectrice contre les forces négatives. Ils contiennent de l'énergie et créent un espace impénétrable. Les cercles peuvent être dessinés avec du sel, tracée directement sur le sol , construits en pierres ou seulement visualisés.
Ils sont fermés, mais pas totalement, car ils restent sensibles aux influences et aux signes extérieurs - notre psyché réagis à la richesse des éléments extérieurs et inconnues.
Nous sommes en contact avec tout malgré nous.
Our time is present, future and past. Visualizing this idea in the form of lines in space-time, appear different forms like empty and sparkling structures / as Jean Tardieu wrote /. All the other elements of reality, subjectively perceived, are in a way their content which shapes them as they please.
Reality and illusions, what has already happened and what appears in our imagination - the interaction of these two concepts is one of the aspects that interest me in the relationship between matter and the emotion it generates .
Elements of our world, the only one that seems to us known, landscapes, places and objects near or far constitute my field of activity, in which the illusion is confronted with the surrounding world. Certain objects, elements of nature even insignificant or forgotten, speak suddenly and transmit their hidden energy as if they entered into symbiosis with the current state of things. The movement of exterior elements inward and vice versa is a source of tension, but also a basis for balance.
So where does the impression come from that everything that is familiar and close to us seems to be moving away? The uncertainty we feel when we wonder if what we are seeing comes from reality or is just an illusion is a permanent and meaningful sensation in our lives. We are afraid, more than ever, of losing all our certainties based on a certain harmony between man and nature, but we forget that we are nature.
Traditionally, magic circles have been drawn on Earth as a protective barrier against negative forces. They contain energy and create an impenetrable space. The circles can be drawn with salt, traced directly on the ground, built in stones or only visualized.
They are closed, but not completely, because they remain sensitive to external influences and signs - our psyche reacts to the wealth of external and unknown elements. We are in touch with everything despite ourselves.
GM. Paris , 2019-2020
Solo Exhibitions | ||
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2020 | Leave The Door Ajar , Museum of Japanese Art and Technology, Krakow, Poland /with Masato Tanaka /, catalog , texts by Bogna Dziechciaruk Maj , Joanna Sitkowska Bayle, Yoko Nakata |
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2019 | UNWÄGBARKEITEN / Imponderable , Anzenberger Gallery Vienna , Austria There Are Other Worlds but They Are Here, See+gallery, Beijing, China |
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2017 | Photography&Alchemy, see+gallery, Beijing ,China In Illo Tempore, Sagot Le Garec Gallery, Paris, France |
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2016 | Chambre d'(a)pesanteur, Thessa Herold Gallery, Paris, France catalog text by Laura Serani Chambre d'(a)pesanteur, Paris Photo, Thessa Herold Gallery, Paris, France |
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2015 | Vanishing Deconstructions, See+ Gallery, Beijing, China | |
2014 | In That Time, Maya Polsky Gallery, Chicago, USA Away From You, Close To You, See+ Gallery, Photography, Installation, Beijing, China |
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2013 | Continuum, installation, photography, video, Salle Capitulaire, Cour Mably, Bordeaux, France | |
2012 | Body and Breath, photography, installation, Thessa Herold Gallery, Photo Month-Official Selection,Paris, France Booklet, texte Bogdan Konopka |
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2011 | Connected Isolations, photography, Maya Polsky Gallery, Chicago, USA To Be but One , photography, installation, video, Thessa Herold Gallery , Paris, France Monography by Area &Descartes, Textes , Marek Bartelik, , Serge Fauchereau, Christine Frero, ,Joanna Sitkowska Bayle, Anne Tronche |
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2010 | Un Monde Loin du Monde , installation, video, Abbaye de Corbigny, France catalog, texte Jean Paule Setre, Anne Laure Meyer |
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2009 | Closer to Me than Myself I, photography, installation, Maya Polsky, Gallery, Chicago ,USA Closer to me than Myself II, photography, installation, Hardcore Contemporary Art Space, Miami, USA |
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2008 | The Sleeping Self, photography, video, Thessa Herold Gallery Paris, France | |
2007 | Egospheres, photography, video, Maya Polsky Gallery, Chicago, USA Catalog, text Christine Frerot N’Etre, photography, Vent d’Est Gallery, Bordeaux, France |
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2006 | Illusions, photography, Hardcore Contemporary Art Space , Miami, Jeux du Regard, photography, video-instalation, sculpture, Contemporary Art Museum, Caracas, Venezuela Spaces, photography, video, Lillebonne Gallery, Nancy, France |
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2005 | Jeux du Regard, Arte Fiera, Thessa Herold Gallery, Bolognia, Italy Jeux du Regard, photography, sculpture, instalation, Art Paris, Thessa Herold Gallery, France Jeux du Regard, photography, sculpture, instalation, Thessa Herold Gallery, Paris Catalog , text Anne Tronche, Juan Manuel Bonet, Monika Poliwka lllusion Spheres, photography, instalation, Maya Polsky Gallery, Chicago, USA Regards croisés, Saint-Louis Chapell, Bar–le-Duc, France Photography, Primo Piano Gallery, Lecce, Italy |
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2004 | Inner Circles, photography, installation, sculpture, Claire Oliver Gallery, New York, USA En Parabolle, photography, instalation, Temple de Charuay, Niort, France Catalog Beetween Us, photography, Rochefort College Art Gallery, USA N’Être, photography, instalation, Maison Henri IV, Saint Valery en Caux, France Catalog , texte Christine Frérot Paysage du Temps, Thessa Herold Gallery, Paris, France Catalog , texte Edouard Glissant Miradas Dobles, photography, sculpture, 39 Gallery, Caracas, Venezuela Variations of the Double, photography, Maya Polsky Gallery, Chicago, USA Catalog , texte Serge Fauchereau |
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2001 | Materia Prima, photography, installation, Kordegarda Gallery, Warsaw, Poland Catalog, texte Joanna Sitkowska Bayle Last Judgement, installation, photography installation, Gallery of Modern Art, Lodz/Historical Museum, Sanok/ ZPAP Gallery, Cracow, Poland On the Edge, photography, Maya Polsky Gallery, Chicago, USA Encounter / with Iwona Ornatowska/ photography, Artemis Gallery, Cracow, Poland Catalog , texte Kinga Kawalerowicz Last Judgement, Studio Gallery, Warsaw, Poland Photography, Gomez Gallery, Baltimore, USA Painting, sculpture, photography, Magda Danysz Gallery, Paris, France Photography, Maya Polsky Gallery, Chicago, USA Painting and photography, Gomez Gallery, Baltimore, USA |
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Group Exhibitions | ||
2019 | Photo Shanghai, See+gallery, Shanghai, China Parallele , Art Fair, Anzenberger Gallery, Viena , Austria JIKIHITSU - Un Monde loin du Monde , installation, Galerie Stara , Warsaw, Poland |
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2018 | AIPAD, Photography Show, see+gallery, New York,US Photo London, see+gallery, London, UK Predictions and Shimmering Memories, Halsnoy Kloster, Norway Shenzhen Art Fair, See + Gallery, Shenzhen, China Photo Shanghai, See+ Gallery, Shanghai, China Biwako Biennale 2018, Omihachiman, Shiga, Japan Atemporelles, galerie Mondapart, Paris, France MIA Art Fair, Milano, Italy Handmade IV, Gallery Anzenberger , Vienna, Austria |
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2017 | The True Stories Project , Patan Museum, Katmandu, Nepal Photo Shanghai, see+gallery, Shanghai, China Shenzen Art Fair, see+gallery, Shenzen,China Paris Photo, Thessa Herold Gallery, Paris ,France Paris Photo, see+gallery, Paris France Miami Art Fair , ArtNouveau Gallery, Miami FL, USA AIPAD Photography Show, see+gallery,New York, USA Shanghai Hongqiao Airport, Departure Hall, Shanghai, China |
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2016 | Obras Singulares de Maestros Contemporaneos, Gallery Freites, Caracas, Venezuela Renard Pale Editions, Sotheby's, Paris France AIPAD, Photo Fair, See+Gallery, New York, USA VI Biwako Biennale, Ohmi Hachi Man, Japan Photo Shanghai, See+ Gallery, Shanghai, China Shenzen Art Fair, See+ Gallery, Shenzen, China 2nd International Photo Week, Shenzhen, China XX Paris Photo, Grand Palais, Galerie Thessa Herold, Paris, France |
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2015 | Photo Shanghai, See+ Gallery, China Paris Photo, Thessa Herold Gallery, Paris, France Laureats, choice of the collection, November in Vitry, MAC, Créteil, France |
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2014 | MAC Créteil (Maison des Arts de Créteil), France Danse Variation Image V Biwako Biennale, UTAKATA, Ohmi Hachiman, Japon Musée de Montparnasse, Paris, France Ex Voto by Contemporary Artists I Photo Fair , See+Gallery ,Shanghai, China Photo Week , Shenzen ,China Paris Photo , Thessa Herold Gallery , Grand Palais , France Scope -Miami , Galerie Maya Polsky, Miami FL, USA |
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2013 | Art Paris, Thessa Herold Gallery, Grand Palais, Paris,France Off The Beaten Path, Fundacion Canal, Madrid, Spain Beyond the Dream, Mondapart Gallery, Boulogne Billancourt, France FIA, Art Nouveau Gallery, Caracas, Venezuela |
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2012 | Danse-Espace II, Espace 1886 ,Saint Ouen,France Pinta Art Fair, Estudio 8 Gallery , London , UK IV Biwako Biennale - Fairy Tales, Ohmi Hachi Man, Japan Hommage au Facteur Cheval , Musée de la Poste, Paris, France Paris Photo, Thessa Herold Gallery, Grand Palais, Paris, France Le réel réenchanté, Roi Dore Gallery, Photo Month, Paris, France |
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2011 | Fotografica 2011, Santa Clara Church, Columbia The Missing Peace, Contemporary Museum of San Antonio, USA Off the Beaten Path, Cultural Center of Chicago, USA Paris Photo, Thessa Herold Gallery, Grand Palais, Paris, France |
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2010 | Art Paris, Thessa Herold Gallery ,Paris, France Pinta-Art Fair, Hardcore Contemporary Art Space, London, UK Art Shanghai, Latinoamericain Pavillon, Shanghai, China The Missing Peace, Nobel Museum, Stockholm, Suede |
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2009 | The Missing Peace, Fundation Canal, Madrid, Spain Art Paris, Thessa Herold Gallery, Paris, France Paris Photo, Thessa Herold Gallery, Carouselle de Louvre, Paris, France ArteAmericas, Artepuy Gallery, Miami, USA Scope Art Fair Basel, Hardcore Contemporary Art Space, Basel, Suisse Virtuellement Réel, Galerie Alice Mogabdab, Beyrouth, Libanon Icons of the Victory, Humboldt Building, Berlin, Germany Off the Beaten Path, Contemporary Art Gallery of the San Diego University, California, USA The Missing Peace, Frost Art Museum ,Miami, FL, USA Art-Pologne Aujourd'hui, Departamental Archives, Chartre, France Femme y est tu ? Contemporary Art Gallery, Chinon, France |
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2008 | Venere Vincitrice, Castello Carlo V, Lecce, Italy M |