MESSAGE

To construct my own, fictional world, I have to create a set of rules and restrictions, and use any material I find interesting. My goal is to bring consistency to the forms, landscapes, and architecture within that world. In other words, I aim to achieve a certain level of credibility through the selection of materials and the perception of scale.
I make sure that the subject is connected to architecture, the environment, and imagined elements. My work draws on images and creations shaped by known civilizations.
At the same time, it refers to nature itself—through moments of observation, travel, and documentation.
I'm drawn to a kind of quiet beauty that invites reflection and sparks a strong desire to explore. Working on a small scale offers a certain immediacy. While nature takes almost infinite time to shape things, small-scale creations can be made quickly, with little energy. This brings a sense of freedom—but it also comes with limitations.
Today’s concern with our relationship to the environment is deeply connected to the materials we use.
In my practice, I try not to throw materials away.
Instead, I reuse them, combine them, and give them new form. Still, I’m also fascinated by human-made structures—even those that might introduce contradictions into my work. I don’t reject those tensions; rather, I see them as the beginning of a dialogue between the two paths I follow. I don’t want my work to exist only within architecture or fine art. I want to keep a sense of freedom that allows it to grow into other areas—like craft, event planning, or photography.
That freedom, I believe, opens the door to many different ways of creating, experiencing, and ultimately, finding fulfillment.